The New York Film Festival is back in business for its 52nd year, and while I sadly am not able to attend this time, I was happy to be able to contribute to Slant Magazine's coverage. My piece on Eugène Green's latest film, the formidably idiosyncratic architectural history lesson-cum-mid-life crisis drama La Sapienza, is live now, as is a host of other extraordinary reviews from the site's staff.
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