tag:blogger.com,1999:blog-294916540840535575.post1664548767645775927..comments2024-03-22T08:29:01.459-07:00Comments on Are the hills going to march off?: Last of the Mohicans (1992) A Film by Michael MannCarson Lundhttp://www.blogger.com/profile/10164962777812861110noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-294916540840535575.post-27964662617627426532010-07-09T13:03:26.387-07:002010-07-09T13:03:26.387-07:00Thanks for continuing to share your thoughts. I ne...Thanks for continuing to share your thoughts. I never have a problem with long comments. In fact, I welcome them. <br /><br />What you say about why Mann is such a visceral director of violence is precisely why I brought up Sam Peckinpah in context of the battle scenes in <i>Mohicans</i>. Filmmakers too often don't seem to register the impact of violence, using it instead as pure narrative gimmickry. Mann makes it feel disgusting and brutal, but miraculously still adrenaline-pumping. <br /><br />I agree with you that I prefer when directors embrace the beauty and warmth of film, but to me Mann is one of the most interesting practitioners of digital. There are only a handful of directors who have done unique work with the potential of digital (think in <i>Collateral</i>, how Mann achieves a uniquely pastel look with his digital cameras.) In that sense, I fully endorse his move to this new kind of cinema, for in order to survive, there must be some who exercise it in artful ways. <br /><br />I look forward to more of your comments. The easiest way to browse my site in its entirety is through the <a href="http://arethehillsgoingtomarchoff.blogspot.com/2008/12/index-of-reviews-sorted-by-directors.html" rel="nofollow">index</a> sorted by directors, which can also be found on my sidebar.Carson Lundhttps://www.blogger.com/profile/10164962777812861110noreply@blogger.comtag:blogger.com,1999:blog-294916540840535575.post-11951241213643340352010-07-09T02:49:52.162-07:002010-07-09T02:49:52.162-07:00Hello Carson,
Thanks for getting back to me so q...Hello Carson, <br /><br />Thanks for getting back to me so quickly. I'm a bit of a night owl, with many nights spent reading, listening to music and the periodical late night movie. I fully understand and respect your decision to not read much commentary regarding the two Mann films I mentioned. Selfishly, I hope you get to both sooner rather than later simply because I'd love to hear your thoughts. Thankfully, I'm pragmatic with the realization that it may take some time. All the same, I hope you share your thoughts on both when the time comes. <br /><br />In the haste of my previous post, I neglected to point out a sister detail (so to speak). Not only does Mann have a tendency to end his films with little dialogue, he also begins many with the very same tactic. As you can attest, "Mohicans" certainly utilizes such an approach. There are exceptions but, by and large, you'll notice this narrative structure used consistently. <br /><br />At the end of the day, Michael Mann comprehends (to the bone, joints and soul) what it means to be a director of film. Consequently, I can't decide if he's just not that good with dialogue (overall) or if he's just not interested in it enough to give it the attention that someone like Tarantino does. He'd rather show us what his characters are doing as opposed to what they're saying (or at the very worst, have them tell us what they're doing). I do hope Mann hasn't given up on 35mm entirely. While his wizardry has brought incredible images through the handling of digital, I much prefer his 'film' cameras from days gone by. <br /><br />Sorry for dragging this out, but another item to share came to mind. Quite often, Mann's films are fairly violent. His approach taps in to a technique that, I'm fairly certain, is unique among mainstream American filmmakers. In the midst of such violent images, we're never left with a sense of gratuitousness. In fact, we're rarely left with a sense of the reverberating repercussions of such violence (and when he does touch on the consequences, it's fairly fleeting). What makes Mann's use of violence so damn visceral is how he captures the full 'reality' of it, the very moment it happens. As a viewer you feel, in your gut, every gunshot, every bullet entry, every weapon against flesh and the environment itself that your body can't help but to respond. Thanks for indulging my long post. I'll find time to read over all of your entries as time allows.Iammine78https://www.blogger.com/profile/17335243265667781924noreply@blogger.comtag:blogger.com,1999:blog-294916540840535575.post-81589616805687619652010-07-08T22:45:54.586-07:002010-07-08T22:45:54.586-07:00Thanks so much for commenting Iammine!
"Man...Thanks so much for commenting Iammine! <br /><br />"Mann is a visual storyteller at the core" <br /><br />This is about as true and straightforward a statement as one could make about Mann. It's interesting to hear that most of his films utilize dialogue-free climaxes and endings; something I haven't noticed, but I also haven't seen enough of his work. In <i>Last of the Mohicans</i>, it's unbelievable the way that Mann invests so much power in his final images alone. The last 30 minutes could have eschewed sound altogether and still been affecting.<br /><br />Surprisingly, <i>Heat</i> and <i>The Insider</i> are two of his movies I've yet to see, so I don't want to read too much about them. They seem to belong to a category in Mann's oeuvre that is more generally likable, more frequently regarded as "classic" genre efforts. <i>Last of the Mohicans</i> is hit-or-miss for a lot of people because it's rather rough around the edges, and sometimes loses the Mann flair in favor of generic Hollywood motifs, but I think its finer moments are among his best achievements as a filmmaker.Carson Lundhttps://www.blogger.com/profile/10164962777812861110noreply@blogger.comtag:blogger.com,1999:blog-294916540840535575.post-49039470555468680712010-07-08T20:37:26.527-07:002010-07-08T20:37:26.527-07:00Hi Carson,
I'm new to your blog and, I must ...Hi Carson, <br /><br />I'm new to your blog and, I must say, quite impressed. It helped, of course, that you decided to highlight one my favorite films from an American director in the '90s. The film is nearly twenty years old and I hope, at some point, it reaches the appreciation it deserves. By and large, Mann is truly a visual storyteller at the core. In the majority of his films, dialogue is important in the context of getting him to the next set piece or visual exposition. I've read numerous times that Mann is quite intentional in the use and placement of music in his films, going so far as having the music firmly chosen before cameras even roll. Coincidentally, "Mohicans" is one of the very few films where he employs a strict, orchestral score (to a rousing effect, no less). It plays a considerable role in providing the chest-pumping excitement you referenced. My only theory is that he opted for straight orchestration in order to help provide, as you describe it, the traditional and (somewhat) old-fashioned feel. Equally valuable to his films is the overall use of sound. The first image you posted (of a gunshot) directly relates to a commentary of Mann's '95 film "Heat" I read yesterday. The article goes to great lengths to highlight Mann's ability to create a signature sound for his style that's largely connected to the sound of a gun shot. If you haven't yet read it, I've posted the link below. If you haven't the seen the film, it'll still be a good read as no spoilers are present. The other observation worth pointing out rests in the climax/finale that Mann often uses. In almost every film the last 15-20 minutes carries little, if any dialogue. It is during this coda that Mann employs his full visual arsenal, with the thundering support of both music and sound. On a final note, I'd encourage you to check out "The Insider". Not only is it my (just by a notch) favorite Mann film, it also boasts the finest performance of Russel Crowe to date. Thanks again for sharing...<br /><br />http://www.reverseshot.com/article/heatIammine78https://www.blogger.com/profile/17335243265667781924noreply@blogger.com